However.
Although the concept of electronic academic databases make our work much more convenient and organized, we have to wonder if such information is really "free". Many academic databases require an annual membership fee or a school affiliation granting you access to view the materials. In returning to Stallman's understanding of DRM and whether or not information really wants to be free, he argues that "information is social and moral, rather than economic" (2875). If this is true, does the idea of electronic academic databases really fall within the scope of free information? In the end, someone is paying for our access to these materials. Without affiliation in some scope, these databases are othering those who don't have ties in some way to academia.
When viewing the ProQuest website, you'll see that the information is dispersed into four different categories. Ironically, one category is labeled customers, though all categories have to pay in order to access the information. Though my thesis is available through ProQuest per requirement of my department at my previous institution, I have to pay in order to access something that I wrote myself! In order for my thesis to be "published" it had to have an affiliation with an electronic database, which then disseminates my information as it pleases, taking the agency away from the author and places it in the database company. In referring specifically to graduate work, I think a lot of us don't realize where our scholarship goes (unless we write for specific publication).
After finally typing in the name of my work in google, I found that through ProQuest, I was able to access only the abstract of my work, but had the option of either ordering a copy, or requesting one through "my library" (what if I don't belong to a university?). Though I do have copies of my own work, the notion that I can't disperse the information freely in a way that I had intended defies the open access movement and takes the access away from the author and doesn't put in the hands of the user but rather the corporate profits.
Though this is part of academia, it plays into the arguments that Dr. Withey brings up in the unrestricted sharing debate (who gets it/who doesn't). In referring to the dispersion of information "the system does not work if knowledge or cultural materials are closed off or hidden from all. Knowledge can (and does) die if it is not used. But it also needs to be used and circulated properly within an articulated ethical system" (2883).
"Information neither wants to be free nor wants to be open; human beings must decide how we want to imagine the world of knowledge-sharing and information management in ways that are at once ethical and cognizant of the deep histories of engagement and exclusion that animate this terrain" (2889).
Hi Lucy,
ReplyDeleteExcellent post! I want to discuss your idea of othering those who have limited or no ties to academia. For the most part, I think scholars in western culture are open to the idea of freely sharing their work in the hopes of extending the ongoing conversation. Under that assumption, we could argue that information, in this context, wants to be free. The fact that a research tool requires some form of payment to access materials seems to present a possible socioeconomic divide in interface design and accessibility. It makes you wonder, then, has technology truly leveled the playing field or simply furthered the power of the dominant socioeconomic group? I'm thinking the latter.
Lucy,
ReplyDeleteThis is an excellent blog entry on an idea I have thought quite a bit about since I started graduate school a few years ago. In obtaining my Master's in Literature and maintaining a pretty staunch and relentless focus on matters of intersectional identities, world systems, cultural appropriation, and socioeconomic inequalities, I always felt a bit discouraged after completing seminar papers or larger research projects. I felt discouraged because it seemed like I was playing to an empty auditorium. And while I had my instructors and peers to collaborate with and discuss intersections of theory and practice, it didn't seem to go much further than that.
As an instructor, I ask students to cultivate a sense of audience over and above one of strict readership, to imagine a brand of composition that is both efficacious and vibrant in its reach. Yet, this exhortation tends to annoy many students who, despite efforts to raise the stakes of assignments and writing, still understand the classroom to be a decidedly top-down, hierarchical structure. And, well, yeah, it pretty much is, I think databases like ProQuest hinge on the same "golden snitch," so to speak, that is audience.
What you tap into with your blog entry, is what the implications might be when this deferred promise of an audience becomes commodified in such a way that it prevents that audience from emerging in the first place. And while I continue to devote my time and energy towards bridging this gap and cultivating this sense of audience in my own praxis, I ask you the following question: How might some of the precepts espoused by the Digital Humanities contribute towards this end? Thank you so much for sharing your thoughts.
Mark
Hi Lucy,
ReplyDeleteThank you for clarifying for me in your post what we were supposed to be doing in this assignment :-). I understand that structure determines that way energy flows but I have never really thought about it in terms of database and information management. I am going to have train myself to think more in those terms as I get closer to understanding what DH is about and the assumptions I make about the tools we use and manage for the academy. The Writing Center has been the central space I have concerned myself with and I am very clear about how that structure works and manages information. I am very unclear about how digital spaces do that. Thank you for your excellent work and I look forward to continuing to read your posts and learn more from you about digital environments and how they "make" the informational world they manage.